פרסומים

Forthcoming
all_the_wrong_stuff_i_missed_revised_feb_2.docx

With growing numbers of forcibly displaced people and their tendency to spatially cluster, destination countries around the world consider dispersing them over their territory. While the egocentric not-in-my-back-yard syndrome (NIMBYism) predicts that dispersion will spark a public backlash, sociotropic considerations and appeals to civic fairness predict the contrary. I theorise that the institutional set-up determines which force prevails. Although the local proximity of refugees triggers public opposition, it can be substantially countered by tighter regulation on refugee dispersion. Setting clear guiding rules, such as an upper limit or proportional allocation can enhance both burden-sharing in the accommodation of refugees and public support for their incorporation. Evidence from survey experiments conducted in Norway and Israel supports these theoretical accounts. The findings have implications for understanding how countries can mitigate public backlash against immigrants and refugees while maintaining their admission and integration.

Gideon Rahat. Forthcoming. Party Types In The Age Of Personalized Politics. Perspectives On Politics.
Ofer Kenig ו Rahat, Gideon . Forthcoming. The Personalization Of The Likud In The Era Of Netanyahu. Social Science Quarterly. . Publisher's Version
Domantė Vaišvylaitė ו Bankauskaitė, Gabija . Forthcoming. Phantasmatic Metamorphosis Of A Woman: Three Short Stories By Algirdas Landsbergis . Partial Answers: Journal Of Literature And The History Of Ideas, 23, 1. תקציר

The article addresses the erotically conditioned metamorphoses of the female image in the phantasmatic space of three short stories by Algirdas Landsbergis (1924–2004), in which identity is transformed into an expression of creative fantasy and primal needs. The article analyzes sensations and drives in terms of origin and expression. The analysis focuses on the erotic construction and modification of the body according to the needs of the fantasizer. In the three stories, while the male character experiences desire, his mind conjures up a metamorphosis of the desired body, turning it into a sexual provocation, a physical space for erotic action, revealing the inner workings of the fantasizer’s self.

 

September 2024: Domantė Vaišvylaitė is a PhD student in Lithuanian Literary Studies at the Kaunas Faculty of Vilnius University. She has a Bachelor’s degree in Lithuanian Philology and Advertising, with a thesis on “The Image and Symbolism of Paradise in Travel Literature by Antanas Vaičiulaitis.” Master’s degree in Public Discourse Linguistics, thesis topic “Pandemic Rhetoric: Perception of Threat in The Facebook Social Media Comments.” The PhD thesis is titled “Archetype as a Link between Consciousness and the Unconscious in the Works of Algirdas Landsbergis”. Her research interests are in the fields of memory, mythology, archetypes, phenomenology, experience and trauma in Lithuanian literature. Her experience includes participation in international conferences, work with students, and developing creative projects. 

Contact: domante.vaisvylaite@knf.vu.lt, Vilnius university Kaunas faculty, Muitinės St. 8, 44280 Kaunas, Lithuania
ORCID iD: https://orcid.org/0000-0002-2663-7320

 

 

Gabija Bankauskaitė is a professor of the Institute of Languages, Literature, and Translation Studies at Kaunas Faculty, Vilnius University. Her research interests include modernist discourses of culture and literature, Lithuanian literature of the first half of the 20th century, and the First Lithuanian Republic’s press and advertising. She is the author numerous articles, of monographs (in Lithuania) such as Balys Sruoga – Traditional and Contemporary Conception (2007), Stefania Jabłońska: Woman at the Turn of Two Centuries (2020), of studies in language teaching, and of textbooks. She is Editor-in-chief of the international journal Respectus Philologicus published by Vilnius University and the Jan Kochanowski University in Kielce (Poland). 

Contact: gabija.bankauskaite@knf.vu.lt, Vilnius university Kaunas faculty, Muitinės St. 8, 44280 Kaunas, Lithuania

ORCID iD: https://orcid.org/0000-0002-3276-8159

 

 

 

 

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Forthcoming. Philosophy Learns From Performance: Imaginative Resistance. בתוך Philosophy, Analytic Aesthetics, And Theatre. Routledge (under contract).
Ity Shurtz, Eizenberg, Alon , Alkalay, Adi , ו Lahad, Amnon . Forthcoming. Physician Workload And Treatment Choice: The Case Of Primary Care. Rand Journal Of Economics.
Rotem Giladi. Forthcoming. Picking Battles: Race, Decolonization And Apartheid. בתוך The Battle For International Law In The Decolonization Era. Oxford University Press.
Rotem Giladi. Forthcoming. Picking Battles: Race, Decolonization And Apartheid. בתוך The Battle For International Law In The Decolonization Era. Oxford University Press.
Asaf Weinstein, Su, Weijie , Bogdan, Malgorzata , Foygel-Barber, Rina , ו Candes, Emmanuel . Forthcoming. A Power Analysis For Model-X Knockoffs With $\Ell_{P}$-Regularized Statistics. . Publisher's Version
The Rabbinic culture of learning in the light of the dialogues in their literature.
Shimon Fogel. Forthcoming. The Rabbinic Culture Of Learning In The Light Of The Dialogues In Their Literature.. The Melton Centre For Jewish Education.

I study the history of early rabbinic higher education and culture of learning, as it reflected in their literature and in comparison to their contemporary non-Jewish environment. I am specifically interested in the "Orders of discourse" as they can be reconstructed through the analyzes the dialogues between masters and disciples.

A. Amsalem, E.; Zoizner. Forthcoming. Real, But Limited: A Meta-Analytic Assessment Of Framing Effects In The Political Domain. British Journal Of Political Science.
Book review
Daniel Lav. Forthcoming. Salafī Political Theology. Cambridge and New York: Cambridge University Press.
Michael Keller. Forthcoming. Satan&Rsquo;S Luckless Harp: Antebellum Freethought Poetry In The Boston Investigator. Partial Answers: Journal Of Literature And The History Of Ideas, 23, 1. תקציר
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Clare Stainthorp. Forthcoming. Secular Community And Identity In The Poetry Of British Freethought Periodicals . Partial Answers: Journal Of Literature And The History Of Ideas, 23, 1. תקציר

The poetry in British freethought periodicals in the second half of the 19th century illuminates how members of this radical secularist movement agitated for change, expressed their ideas, and self-fashioned their collective identity as a community of thought and action. This article examines the role of poetry in the National Reformer, Freethinker, Secular Review/Agnostic Journal, and Secular Chronicle. Their editors published lyrical and reflective poetry alongside poems of protest, expressing freethinkers’ social and political struggles across poetic forms and bringing an often-divided secularist movement together. The article concludes by considering what cuttings in an edition of J. M. Wheeler’s Freethought Readings and Secular Songs (1892) tells us about the value of poetry for secularists.

 

September 2024: Clare Stainthorp is a Leverhulme Trust Early Career Fellow at Queen Mary University of London. She primarily works on the nineteenth-century freethought movement and their periodicals but has a wider interest in literary responses to esoteric spiritualities and intellectual history. Her book, Constance Naden: Scientist, Philosopher, Poet, was published by Peter Lang in 2019. She co-edited the Routledge volume Nineteenth-Century Religion, Literature and Society: Disbelief and New Beliefs with Naomi Hetherington (2020). Her articles have appeared in Victorian Poetry, Victorian Literature and Culture, Victorian Periodicals Review, Media History, and elsewhere.

James Diedrick. Forthcoming. Secularism And Its Discontents: Forms Of Freethought In Mathilde Blind&Rsquo;S Periodical Poetry . Partial Answers: Journal Of Literature And The History Of Ideas, 23, 1. תקציר

The poet and woman of letters Mathilde Blind (1841–1896) achieved her early fame — and notoriety — as a radical freethinker, especially as a translator and champion of David Friedrich Strauss’s The Old Faith and the New: A Confession (1873), which articulates an antitheist form of historical and scientific materialism. Her subsequent prose works — essays, reviews, and translations — confirmed this reputation. But her verse, which makes use of what her beloved poet Percy Bysshe Shelley in The Revolt of Islam called “a subtler language within language,” speaks in a subjective non-polemical voice. Focusing on the poetry Blind published in a range of Victorian periodicals, including Dark Blue, the Athenaeum, Black and White, and The Savoy, this essay argues that these poems express the tension between materialism and idealism that characterize her poetry as a whole, while also illuminating the complex dynamics of secularism in the Romantic and post-Romantic eras.

 

September 2024: James Diedrick, Professor Emeritus of English at Agnes Scott College in Atlanta, Georgia, is the author of Mathilde Blind: Late-Victorian Culture and the Woman of Letters (University of Virginia Press, 2016); editor of Mathilde Blind: Selected Fin-de-Siècle Poetry and Prose (MRHA, 2021); co-editor of Depth of Field: Stanley Kubrick, Film, and the Uses of History (University of Wisconsin Press, 2006); and author of Understanding Martin Amis, University of South Carolina Press (first edition, 1995; revised and expanded edition, 2004). He has published articles on Charlotte Bronte, Charles Dickens, John Ruskin, George Eliot, Mathilde Blind, Elizabeth Pennell, Henry Ashbee, Ring Lardner, J.G. Ballard, and Martin Amis. He is currently at work on a project analyzing affinities and convergences between Gladstonian liberalism and the New Woman movement in late-century British culture.

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This article focuses on the case of Andreas Laskaratos (1811–1901), a famous satirical poet from the Ionian island of Cephalonia (Kefallinia) and a representative of the Heptanese School of Literature. Laskaratos was excommunicated from the Orthodox Church of Greece because of his criticism of the religious establishment. Apart from his other writings, a great number of his satirical poems present trenchant criticism of the Orthodox Church and its impact on people’s lives. Laskaratos was critical of superstition in the church and accused the clergy of taking advantage of its social status and people’s naivety. His vitriolic critique focused on the supposedly miraculous icons, religious rituals, symbols, and relics. This article demonstrates how Laskaratos’s satirical poetry expresses secularist ideas that probably could not be articulated otherwise within the context of the strict social control exercised by the Orthodox Church. Viewing satirical poetry as constructive social criticism, the main argument is that Laskaratos’s poetry builds on Enlightenment ideas and that he can be situated among the pioneer secularist freethinkers within the Greek Orthodox context.

September 2024: Alexandros Sakellariou holds a PhD from Panteion University in the field of Sociology of Religion. He has extensive experience working since 2011 as a researcher in European and national research projects. Since 2016 he is an adjunct lecturer at the Hellenic Open University teaching a class on Contemporary Sociological Approaches in European Societies. His main research interests include sociology of religion and non-religion, sociology of youth, political sociology, historical sociology, radicalisation, qualitative research methods, history and memory. He has over 70 publications in national and international journals, edited volumes, encyclopedias, and conference proceedings. He has published two books, Religion and Pandemic in Greek Society: Power Relations, Religious Populism and the Pending Secularisation (2020, in Greek) and Atheism in Greek Society: From Orthodox Religious Memory to the Atheist Religious Consciousness (2022, in Greek).

 

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The contemporary mobilization of the apartheid-Israel analogy on the part of activists and academics alike obscures the fact that it has a long history of use on the part of Hebrew-speaking writers and intellectuals. Some of the earliest comparative references to apartheid arose from the Hebrew translation and stage adaptation of Alan Paton’s celebrated 1948 novel Cry, the Beloved Country. Departing from the performative focus of Eitan Bar-Yosef who uses blackface in the stage adaptation to reflect on Jewish whiteness in the nascent state of Israel, we analyse critical intellectual responses to the prose translation on the part of figures who were very differently positioned in relation to the hegemonic Zionist ideology of the period. Analysis of the commentary by the socialist Rivka Gurfein, the liberal Ezriel Carlebach, and the revisionist Yohannan Pogrebinsky, allows us to position apartheid as a heuristic device through which to chart debates internal to Israeli politics in the early years of the Zionist state. These help to expose the constitutive ambivalence of Israel as a “colonial post-colony” in Joseph Massad’s reckoning, thus touching on the very self-definition of the Jewish state.